Progressive cinema: Spotlight on Detroit

DETROIT – There’s been a rash of films lately about Detroit. Maybe that’s because many consider it to be ground zero for the U.S. economic decline. World artists travel to Detroit to see ‘the ruins‘ – an apocolyptic sight with major blocks of enormous empty buildings. But until now, there hasn’t been a movie that really captured the soul of the city and the real people who live here.

Most seem to overlook the fact that metropolitan Detroit is the most racially segregated big city in the country, that African Americans comprise over 90 percent of the population, and that there were possibly good reasons for the infamous 1967 Detroit ‘Riot,’ (‘Rebellion’ to many) that’s blamed for the ‘white flight to the suburbs.’

There are those who hope that the white folks and businesses that fled come back and take over the city again, ignoring that racism might have been one of the main causes of the problem in the first place.

This view is prominent in a short film shown at the Traverse City Film Festival, entitled “After the Factory,” that promotes this ‘white savior’ mentality. Young white professionals and artists are featured in a film about a city that’s mostly Black, and compares Detroit’s flight of industry to the economic woes of Lodz, Poland. At times it’s hard to tell if the Poles speaking in the film are in Poland or Detroit, and although two well-known activists, Grace Boggs, who is Asian American, and Yusef Shakur, who is African American, are included in the mix, they are disproportionally represented.

The French came recently and made “Detroit Wild City,” a philosophical treatise based on the ‘ruins’ concept, with impressionistic images of vast emptiness. Very few people were featured in the film, and certainly not many Black residents.

And then there’s “Detroit: Ruin of a City.” Well…I think the title says it all. A much better and extremely creative film, meanwhile, that incorporates more Detroit voices, is “Rollin: The Decline of the Auto Industry and Rise of the Drug Economy in Detroit,” which focuses on one of the main problems: devastation from the influx of drugs and its resultant crimes.

But recently, two new rewarding films about Detroit have been released and were shown at the Traverse City Film Festival. “Burn: One Year on the Front Lines of the Battle to Save Detroit” honors the resilient and heroic Detroit firefighters who battle sometimes as many as three fires a day in a town that is literally burning itself down. This heartbreaking film, which won a top prize at the Tribeca Film Festival in New York, was shown at a special screening for the many volunteers and supporters of this community-oriented film festival. Back in the shop for final editing, the film will be available soon for public viewing.

The best film to date about beloved Motown, “Detropia,” (Detroit + upotia) captures the richness and rawness of the people in a city that refuses to die. This is a loving tribute to the real people who live here and who fight to keep the city alive. The film starts out following a young woman documenting with her phone camera decaying landmarks while teaching the rich history associated with them. Later on, Local 22 President George McGregor drives us through Detroit past the gutted out Cadillac plant where he worked most of his life, and then takes us through a day at his union office dealing with the realities of another manufacturing plant, American Axle, leaving the city and taking jobs with it.

But what really convinced me that directors Heidi Ewing (Jesus Camp) and Rachel Grady were going for the real thing was their choice of interviewing Tommy Stephens, owner of the venerable Raven Lounge, the oldest Blues and R&B club in Michigan. It’s frequented mostly by Detroiters and defiantly exists on Chene Street where houses are disappearing around it daily. Tommy makes one of the most profound observations in the movie when he remarks at the Detroit Auto Show that the Chinese equivalent to the American Volt electric car costs half as much and gets way more mileage per battery charge. He was counting on growing numbers of workers at the Volt factory coming down the street to help his business survive.

The film is visually stunning and profoundly enriched by a blend of music ranging from operatic styles to hip-hop. Directors Ewing and Grady, obviously sensitive to racism and its ramifications, point rather to the shrinking industrial base and the loss of jobs as a major factor in the decline of the city.

In the last 10 years, Detroit has lost nearly half of its manufacturing jobs. During the same decade, 50,000 American factories closed. Six million workers have lost their jobs. But they make it clear – this isn’t only a Detroit problem. So, watch for this alarming film, and possibly the financial crisis, to come to your city soon! For you Detroiters, it will be shown FREE, Thurs Sept 13th at 7pm at WSU Community Arts Auditorium with filmmakers and local subjects in attendance.

Two popular music films celebrating Detroit as a world music center were also featured this year. “Searching for Sugar Man” tells the amazing story of a 60s singer/guitarist who failed to make it in the music biz and went into other work to survive. Years later it was discovered that his album had become a hit in South Africa and Sixto Rodriguez was as big a name there as The Beatles. It’s claimed that his lyrics even helped inspire activists to fight the oppressive apartheid system and eventually bring it down. Most people there thought he was dead, but to everyone’s surprise…here he is!

And the hugely popular “Louder Than Love” celebrates Detroit as a rock and roll center and focusses on the grand history of the Grande Ballroom, home for many classic performances by the rock stars of the time.

Detroit is a story close to my heart, having been born here 68 years ago just a few blocks from where the Raven now stands, and now living…still just a few blocks from the Raven. I’ve seen it all, spending most of my time as a jazz musician and activist in the African American community. I love this city and lament the loss of some great landmarks and businesses.

But ultimately it’s the people that make a city. Many have left, forced out by foreclosures and loss of jobs, but there are still many good people here; many great activists and endless joys left in this embattled city. Once we address racism in all its modern forms and identify allies in the class struggle, we’ll be better equipped to fight together against a system that puts profits before people.

For more information about the 2012 Traverse City Film Festival go to

Photo: Detropia film official site

Corrected 7/1/14: Grace Boggs is Asian American. She was previously mis-identified. Also, corrected spelling: Yusef Shakur.


Bill Meyer
Bill Meyer


Bill Meyer frequently writes movie reviews for People’s World, often from film festivals. He is a keyboardist at Bill Meyer Music and current member of Detroit Federation of Musicians. He lives in Hamtramck, Michigan.



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  • I first met Bill as the jazz pianist.He hired me to play drums in his band with Hubie Crawford,Marla Jackson,Larry Lamb and others I’ve forgotten.Soon after, I was having some personal issues with alcohol and drugs and he and his wife mentored me and were instrumental in getting me into treatment.Bill is an( in the trenches) kind of guy.He’s genuinely concerned about all people,not just specific types but all people.Although I’ve fallen out of touch with him over the years I was pleased to see he is still very active in the cause.When I say cause I mean whenever or wherever there is injustice or a person,if sincere is in trouble he will be there.I am blessed to say I am now 30 years sober with a new life.Bill makes his music in so many ways.We need more like him.

  • Thanks Bill, I’ve seen Sugar Man and it is one great humane film. People will be both laughing and crying.

  • Thanks for this comprehensive and thoughtful overview. One of the most important points made is that the reality of Detroit resides in our people. Having seen several of the films cited, particularly the “Wild City”, it seems to me that the visuals and statistics, because they are so striking, drive the vision of many film makers who briefly visit. So I‘m glad to learn that some focus is being placed on the human dimension. I have often thought that if one visited Paris in the immediate post WWI period one could be overwhelmed by the scars of the war to end war and the coming insanity of the next one. OR, one could seek out Gertrude Stein, Picasso and so many other bright lights of human resilience. So too, here in Detroit. It’s the people. Thanks too for the heads up on the screening on September 13.

  • Great summary, Bill! Detroit’s story can’t be told by the “mainstream” media’s cheap shots.This is a city under siege by rightwing state legislators and corporate looters — and dozens of other U.S. cities are in the same boat or close behind. Thanks to independent voices who tell it the way it is.
    — David Finkel (Detroit)

  • Nice synopsis of the various Detroit oriented films. I’ve seen a couple of them, but not Detropia. I’ll be coming back from Knoxville on the 13th, but I am now wanting to stop at WSU on the way home in order to see it.

  • Actually if you compared the run time of the film of “After the Factory” broken down between the American portion & European portion, and then further between the Detroit portion and Lodz, Poland portion. The 5 prominent Detroit African Americans featured in “After the Factory” constitute a larger portion of commentary time across sectors including; community activism, authorship, government officials, urban farming pioneers and artists, than any of the films mentioned.

    The longer that Old ways of thinking dominate similar to above, the higher the likelihood that Detroit, America and Globe are doomed to repeat the same failures and continue their detoriation process.

    Collaboration among all for all, while recognizing history, is the only path forward for progress.


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