This week in indigenous news: protests, fashion, discrimination

Why descendents of Chief Seattle led protest

It was hard to miss. Draped over the boardwalk at Jack Block Park on Saturday, a 300-square-foot cutout of a solemn face looked out over the water-based protest against the Polar Pioneer, the Arctic drilling rig floating in Elliott Bay. “Chief Seattle is watching,” it read.

Looking at the sign probably made some people uncomfortable. Seattle is named after the Duwamish-Suquamish Chief Seattle, and his profile is plastered all over official letterheads and various pieces of Northwest kitsch. Still, sloganizing the face of a man who helped “Seattle” exist-in that he signed a treaty in 1855 giving over 54,000 acres of land to the federal government in exchange for an unfulfilled promise of treaty rights and a reservation for his descendants-can feel like a grotesque kind of tokenism when, often, there are no native people present to explain what it means. Read more at:

http://www.thestranger.com/blogs/slog/2015/05/18/22234185/why-descendants-of-chief-seattle-led-the-protest-against-shell-on-saturday

Blanket given to President carries hidden message

A star blanket presented to President Barack Obama during his visit to South Dakota last week carries a hidden message.

The artist who created the quilt stitched “NO KXL” on the back. The message ensures that tribal opposition to the controversial Keystone XL Pipeline will always be present at the White House.

“What a powerful and subtle way to be a part of this movement,” Dallas Goldtooth of the Indigenous Environmental Network said on Facebook, where he shared photos of the quilt and the hidden message. Read more at:

http://www.indianz.com/News/2015/017494.asp

How Native American fashion really looks

It’s bigger than fashion.

That’s the first thing to know about Bethany Yellowtail’s work, a vibrant, elegant melding of classic style and the staples of her Native upbringing. Elk teeth line the sleeves of one gown, drawn with intricate floral beadwork, that drapes, glistening black, on the body of Jade Willoughby, an Ojibwe model from the Whitesands First Nation in Northern Ontario, Canada. All of Yellowtail’s collaborators are indigenous: Thosh Collins, the photographer, is Onk Akimel O’Odham, Wah-Zah-Zi and Haudenosaunee. Martin Sensmeier, another model, is Tlingit, Koyukon and Athabascan. Promotional video director and poet Tazbah Rose Chavez, is Nüümü and Diné.

And all have converged behind Yellowtail’s vision, a fashion collection that bears the unmistakable mark of Native American influence and history, but with a twist – it’s actually made by a Native American.

Read more at:

http://mic.com/articles/118150/stunning-images-show-how-american-indian-fashion-looks-without-cultural-appropriation

Student told not to display eagle feather at graduation

A Native American high school senior is fighting for the right to wear an eagle feather as part of her cap and gown on graduation.

Initially, officials at Lakes High said she’d have to hide the feather under her gown.

“It made me really upset because it made me feel like I have to hide who I am,”  Waverly Wilson said.

On Friday, they softened their stance and told her can wear the eagle feather in her hair as an ornament, but she says that is not enough.

“‘It’s not an ornament. It’s so much more than that,” Wilson added. “It’s representing who I am, and what all I have worked for.”

Wilson is extremely proud of her Native American heritage.

Read more at:

http://www.kirotv.com/news/news/native-american-student-told-not-display-eagle-fea/nmJmt/

Photo: Bethany Yellowtail official Facebook page


CONTRIBUTOR

Andrea Perkins
Andrea Perkins

Andrea (Andi) Perkins is a Native American activist, writer and cultural anthropologist in Chicago.

 

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