Here are ten films that make a compelling case for why Hollywood has come down not only with severe sequelitis, but remake-itis as well.
Adilifu Nama's Super Black: American Pop Culture and Black Superheroes does a great job of introducing many of today's comic book fans with the history of African Americans in comic books and pop culture generally.
1913 Massacre is a touching documentary that revisits the tragic events that took place in the copper mining town of Calumet in the northern tip of Michigan on Christmas Eve 1913.
"Mandela: Long Walk to Freedom" is visually stunning, unfolding professionally within a familiar bio-pic template.
Night People and Other Tales of Working New York is a new collection of short stories and poems reflecting the struggles of average citizens and workers in New York City and beyond.
I really liked this movie, mainly because of its unusual characters based on actual historical figures.
"The Book Thief" is not a happy movie. It's narrated by Death, though he's a trifle friendlier than usually depicted.
The Good Lord Bird, the adventures of a disguised black child caught up in John Brown's abolitionist crusade, was the winner of the National Book Award for fiction.
As superhero flicks go, this one is still pretty standard fare for the casual viewer, but that doesn't mean it's not enjoyable.
Dallas Buyers Club is an uplifting morality tale that's about as good as the art of cinema gets.